Born in Babylon

Poetry anthology with Sophus Helle (eds.), Born in Babylon: Middle Eastern Poetry on Diaspora and Antiquity. Wesleyan University Press, forthcoming.

Born in Babylon is a multilingual poetry anthology that gathers personal and political reflections on exile, migration, loss, and transformation by ancient and modern poets from the Middle East. The poems in the volume set up a dialogue between the deep past and the troubled present, criss-crossing the rich archive of exilic stories from the ancient Near East with the voices of modern poets from the region, all of whom grapple with the same forms of upheaval, grief, culture shock, and nostalgia. The volume consists of English translations of original poems in Arabic, Hebrew, Farsi, Turkish, and Kurdish, as well as translations from ancient Sumerian, Akkadian, Demotic Greek, and Biblical Hebrew. By staging such an unlikely and experimental dialogue across millennia, Born in Babylon pushes against purist notions of “roots” or “origins,” highlighting instead how movement, translation, and cultural hybridity are the oldest forms of human identity, belonging, and connection.

The anthology consciously brings together migrant experiences and languages that are often separated by colonial legacies, national borders, sectarian divides, and, to put it simply, thousands of years. We hope such an ambitious text can offer a new vision for the rich, multi-ethnic, postcolonial, and polyphonic future(s) of the West and East alike.

Aside from serving as co-editor of the volume, I wrote the Introductory essay and produced the Arabic translations for the poems of Amal al-Jubouri, Fadhil al-Azzawi, Liwaa Yazji, Ghareeb Iskander, and Widad Nabi. I also assisted in the Hebrew and Kurdish translations of works by Abdulkadir Musa and Mati Shemoelof.

One Thousand and One Nightmares

Monograph still in progress. Based on my dissertation “One Thousand and One Nightmares: Colonial Conspiracies and Their Afterlives in Modern Middle Eastern Literature and Media,” which I defended at Columbia University in August 2025.

One Thousand and One Nightmares sets out to answer a regional question that is now being asked around the globe: why are conspiracy theories so prevalent in the culture and politics of the Middle East? What role does conspiracy perform in relation to crisis, and how does it transform in dialogue with local and global shifts in power? My project charts a pre-digital cultural history of conspiracy and develops an interdisciplinary method for the study of conspiracy tropes in twentieth-century Middle Eastern literature and media. I analyze real conspiracies that took place in the region at the hands of colonial regimes or local autocrats as well as what I call the media afterlives of these conspiracies: the tropes, narratives, and fictions produced by journalists, writers, and artists in the cultural sphere to make sense of diffuse power networks and backroom geopolitics. The book tells an overarching story about how conspiracy becomes an increasingly totalizing and intimate framework for theorizing politics’ relationship to society—a seismograph for radical shifts in governing power structures and conceptions of the collective. The conspirator is at first a foreign colonial power, but moves ever inward in the public imagination: towards scheming minorities who are “fifth columns” within the newly independent nation; Cold-War-era collaborators who turn against their own communities for personal gain; and lastly, in the transition to the autocratic security state, the conspirator could be just about anyone: one’s colleague, neighbor, or child.